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The Japanese art of fixing broken things, from lacquer to gold

Fast answer

The Japanese art of fixing broken things, kintsugi, grew out of ancient lacquer repair and came into use in the Muromachi period, from 1336 to 1568.

History essentials

  • Lacquer mending goes back to the Jomon period1
  • The shogun bowl story is one theory of the origin3
  • Kintsugi joined the Oxford English Dictionary in March 20245

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  1. Asakusa, 1 hourViator · starts at, per person $15

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  2. Asakusa, 1.5 hoursGetYourGuide · starts at, per person $24

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  3. Ginza, 8 at most1.5 hours · starts at, per person $76

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Kintsugi did not appear in a single moment. It grew from ancient lacquer repair, a famous legend and the tea rooms of the Muromachi era. Here is the story as the sources tell it, and where they disagree.

Editorial team, kintsugitokyo.com · Updated November 6, 2026 · Takes 6 min

Basics

  • RootsMending vessels with lacquer goes back to the Jomon period, long before gold was added.1
  • Tea linkKintsugi began to be used in the Muromachi period (1336-1568), when tea culture flourished.2
  • The legendA shogun sent a damaged Chinese tea bowl back to China in the late 15th century.3
  • SpreadIt reached the general public only in the 2000s, after a beginner guide.4
  • TodayKintsugi entered the Oxford English Dictionary in March 2024.5

A repair tradition older than the gold

The Japanese art of fixing broken things is older than its famous name. Japan Up Close says the habit of fixing and gluing vessels with lacquer, similar to kintsugi, has been around since the Jomon period, and that this tradition was also common in China.1 People in the past realised that the sap that oozes from lacquer trees acts as an adhesive, so a cracked pot did not have to be thrown away.

How old is lacquer itself? The sources give different figures. JNTO counts 9,000 years of use of the natural lacquer urushi in Japan, while Web Japan says urushi has been used as a coating and adhesive for more than 7,000 years.6,7 The gap likely reflects what each writer counts as use, and neither claims to date a particular repair. Both agree the material is ancient and that mending was one of its jobs.

Notice what is missing from this early picture. Nothing in it says the repair was meant to be seen. A lacquer seam on a plain cup was practical, a sign of thrift, and the gold that gives kintsugi its name came later, once a certain kind of host decided that a mended bowl could be worth more than an unbroken one.

Period by period

What the sources say about each era

EraWhat the sources sayWho says it
JomonLacquer mends vesselsJapan Up Close
MuromachiKintsugi starts with tea cultureJapan Up Close
Late 15th centuryThe clamped bowl legende-Museum
16th centuryMending pots was popularLACMA
Edo periodNatural materials, tea items onlyEmbassy of Japan
2000sA beginner guide reaches the publicEmbassy of Japan
2011New interest after the earthquakeJapan Up Close
March 2024Added to the Oxford dictionaryNippon.com

Each row restates one source; where two sources overlap, the earlier one on this page is cited.1,2,9,15,16,4,17,5

The shogun, the bowl and the clamp that named it

The most repeated origin story belongs to a shogun. Japan Up Close puts it this way: one theory of the origin of kintsugi is that it emerged when Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repair in the late 15th century, and that it came back with metal staples that were not beautiful.3 Japanese craftsmen, the theory goes, then looked for a more aesthetic way to mend.

The bowl is not a myth, and you can read its record. The e-Museum database of the National Institutes for Cultural Heritage says Yoshimasa cracked the bowl on the bottom and sent it to China for an exchange, and that it came back with the crack fastened by a clamp.9 The large clamp looked like a locust, so the bowl was named Bakohan, meaning large-locust clamp.10 The account comes from a record written in 1727 by the Confucian scholar Ito Togai.11

Read the dates and the caution carefully. The record was written centuries after the events, and the bowl was mended with a clamp, not with gold lacquer. JNTO phrases the link with care, saying only that some historical sources suggest kintsugi was introduced as a more aesthetically pleasing solution for mending valuable ceramics.12 The legend is a handy hook, not a documented invention.

Quoted ages

How old do the sources say lacquer and kintsugi are?

  • Urushi use, JNTO9,000
  • Urushi use, Web Japan7,000
  • Kintsugi, JNTO500+
  • Kintsugi, Embassy500+

JNTO and Web Japan disagree on lacquer; the 500-year figures for kintsugi are stated as more than 500 years by JNTO and by the Embassy of Japan in Singapore.6,7,13,14

Muromachi tea rooms and the word keshiki

The firmer link is to tea. Japan Up Close writes that kintsugi started to be used in the Muromachi period, from 1336 to 1568, when tea ceremony culture flourished, and that people who admired the technique called it keshiki, meaning scenery.2 The Embassy of Japan in Singapore agrees that the origin of kintsugi is deeply intertwined with the tea ceremony, and puts its history at over 500 years.14

JNTO opens its own account with the same span, noting that for more than 500 years pottery in Japan has found new life through kintsugi, the art of sealing cracks with lacquer and gold powder.13 That span is why the Japanese art of fixing broken things with gold is so often tied to the tea tradition. LACMA conservators describe the 16th century, when kintsugi was popular in Japan, as a time when people repaired broken pots and went on using them.15

There is a scholarly caution here. The historian Iwai Shigeki, quoted by Nippon.com, found that in tea books from the seventeenth century on, the ideals of wabi and sabi have not consistently been treated as the main aims of the tea ceremony.19 If the tea-and-philosophy story feels tidy, it may be tidier than the record. Our page on words and wabi-sabi picks that thread up.

Which account

How much to trust each part of the story

Match the claim to the kind of source.

  • If The shogun invented kintsugi

    Treat it as a legend

    Japan Up Close calls it one theory, and the bowl was mended with a clamp.3,10

  • If Kintsugi is more than 500 years old

    Reasonably safe

    JNTO and the Embassy of Japan in Singapore both give that span.13,14

  • If Lacquer repair is far older than kintsugi

    Safe

    Japan Up Close places lacquer mending in the Jomon period.1

  • If Kintsugi expresses wabi-sabi

    Plausible, not proven

    Japan Up Close notes similarities, while a scholar doubts the tea link.18,19

  • If Kintsugi is in the English dictionary

    Safe

    Nippon.com reports the March 2024 addition.5

Three chapters

The legend, the tea room and the revival

Late 15th century

The legend

The shogun and the clamp

  • Sourcee-Museum and Japan Up Close
  • MendMetal clamp
  • StatusA theory
Try it in Asakusa

Where it took shape

The tea room

Muromachi and after

  • Years1336 to 1568
  • WordKeshiki, scenery
  • LinkTea ceremony
Try it in Asakusa

Recent decades

The revival

Public and global

  • SpreadThe 2000s
  • BoostThe 2011 earthquake
  • DictionaryMarch 2024
Try it in Asakusa

Edo craftsmen: natural materials and a narrow circle

By the Edo period the method had a standard form. The Embassy of Japan in Singapore says kintsugi was perfected in the Edo period, when only natural materials were used for the lacquer, such as rice powder and mountain soil.8 That detail matters because it separates the old repair from the modern shortcuts that we compare on our page about traditional and modern kintsugi.

The same source says kintsugi was still limited to repairing tea ceremony items, while ordinary items were mended with lead glass in a technique called yakitsugi.16 In other words, the golden seam was a privilege of the tea room. A household bowl got a plain fix, and a prized tea bowl got a seam worth looking at.

This is also where the craft acquired its long apprenticeship. JNTO says kintsugi remains a refined art form that takes many years of practice to master, and it adds that one 20-year-old tree can yield only about a cup of lacquer before it is cut down, which helps explain why the material was treated with respect.20,21 A short class tastes the craft, it does not replace that training.

Dates in order

Kintsugi on a timeline

  1. Jomon period

    Lacquer already mends pots

    Fixing vessels with lacquer goes back to this period.1

  2. Muromachi, 1336-1568

    Kintsugi joins the tea room

    Tea ceremony culture flourishes and the technique starts to be used.2

  3. Late 15th century

    The shogun legend

    A damaged Chinese tea bowl goes to China and returns clamped.3

  4. Edo period

    The method is perfected

    Only natural materials such as rice powder and mountain soil are used.8

  5. The 2000s

    It reaches the public

    A beginner guide helps it spread beyond tea circles.4

  6. March 2024

    The dictionary entry

    The Oxford English Dictionary adds the word.5

From a niche craft to a world word

For centuries the story stays in Japan, and then it breaks out. The Embassy of Japan in Singapore says it was only in the 2000s that kintsugi spread to the general public, thanks to a beginner guide.4 The Oxford English Dictionary records the English word kintsugi as earliest seen in a 2008 issue of Nikkei Weekly, defined as the Japanese art of repairing broken pottery with lacquer dusted with powdered gold, silver or platinum.22

Then came a disaster. Japan Up Close says that after the 2011 Great East Japan Earthquake, in which many objects were destroyed, kintsugi seems to have gained even more popularity.17 That is why so many people today describe the Japanese art of repairing broken pottery with gold as a philosophy of recovery as well as a craft, and why museums and workshops now explain it to visitors.

The word finally entered a major reference work. Nippon.com reports that in March 2024 kintsugi was added to the Oxford English Dictionary, a sign of its growing international presence.5 Cambridge Dictionary defines it as the Japanese art of repairing broken pottery in a way that does not hide the break, using gold or silver in the cracks.23 Few craft terms make that leap.

Video

The Japanese art of fixing broken pottery

BBC Global on YouTube · Video data is requested only when you tap play.

One theory of the origin of kintsugi is that it emerged when Japanese shogun Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repair in the late 15th century.
Japan Up Close (Government of Japan)3

Checklist

Reading a kintsugi story with care

Check the source3

  • Prefer museums, government sites and dictionaries over shop blogs
  • Note whether a claim says one theory or states a fact
  • Separate a clamped bowl from a gold-seamed bowl

Check the dates2

  • Muromachi is the tea-culture era, not all of the past
  • Lacquer is ancient, kintsugi as named is younger

Then try it2

  • Book a class to feel the materials yourself
  • Ask the studio which method its class uses

Thrift, mottainai and why the story still resonates

Part of the appeal is an old attitude toward things. Japan Up Close notes that kintsugi, as a philosophy, sees breakage and mending as part of an object's history rather than something to disguise.18 JNTO links the technique to sustainability, calling kintsugi a traditional sustainable art form that suits a modern need to manage resources better.24

Japan's Ministry of the Environment points to a related idea. It says Japan was famous for a society based on the Mottainai spirit, the spirit of avoiding being wasteful in life, particularly in the Edo period.25 Mending a bowl in gold is not the same as reducing waste, but the two ideas sit comfortably together, and many visitors arrive at a workshop with that connection already in mind.

The history also explains the class itself. A workshop compresses a craft that was once reserved for tea masters into an afternoon, and it works because the story gives the broken piece a meaning. Our Asakusa class, listed as a 1-hour workshop with real urushi lacquer and gold powder, is built on that tradition. If you want to see mended pieces in Tokyo museums rather than make one, our museums page maps the options.

FAQ

Short questions, short answers.

Who invented kintsugi?
No one person is documented.

Japan Up Close calls the shogun story only one theory of the origin.3

When did kintsugi start?
In the Muromachi era.

It started to be used in the Muromachi period, from 1336 to 1568, with the tea ceremony.2

Is the Ashikaga Yoshimasa story true?
The bowl is real, the link is a legend.

The e-Museum entry records the clamped bowl, written up in 1727, so the bowl is real, but it was mended with a clamp, not with gold lacquer.9,11

How old is Japanese lacquer?
Sources say 7,000 to 9,000 years.

Web Japan says more than 7,000 years, JNTO says a 9,000-year history.7,6

What is yakitsugi?
Mending with lead glass.

It was used for ordinary items while kintsugi stayed with tea ceremony pieces.16

Why is kintsugi so popular now?
Mending found a new audience.

It spread to the public in the 2000s and gained popularity after the 2011 earthquake.4,17

Is kintsugi in the dictionary?
Yes, since March 2024.

The Oxford English Dictionary added it that month, per Nippon.com.5

Sources

  1. Japan Up Close (Government of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  2. Japan Up Close (Government of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  3. Japan Up Close (Government of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  4. Japan Creative Centre, Embassy of Japan in Singapore · Kintsugi: Touching Up With Gold ↩
  5. Nippon.com (Nippon Communications Foundation) · Kintsugi and the Art of Embracing Imperfection ↩
  6. Japan National Tourism Organization · Joboji Urushi ↩
  7. Web Japan (Ministry of Foreign Affairs of Japan) · Tradition and Innovation: New Forms of the Decorative Art of Urushi ↩
  8. Japan Creative Centre, Embassy of Japan in Singapore · Kintsugi: Touching Up With Gold ↩
  9. e-Museum, National Institutes for Cultural Heritage · Celadon porcelain bowl, named Bakohan ↩
  10. e-Museum, National Institutes for Cultural Heritage · Celadon porcelain bowl, named Bakohan ↩
  11. e-Museum, National Institutes for Cultural Heritage · Celadon porcelain bowl, named Bakohan ↩
  12. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  13. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  14. Japan Creative Centre, Embassy of Japan in Singapore · Kintsugi: Touching Up With Gold ↩
  15. Los Angeles County Museum of Art · Repair and Recycle: Practicing Kintsugi with Conservators ↩
  16. Japan Creative Centre, Embassy of Japan in Singapore · Kintsugi: Touching Up With Gold ↩
  17. Japan Up Close (Government of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  18. Japan Up Close (Government of Japan) · Golden Cracks: The Traditional Japanese Art of Kintsugi ↩
  19. Nippon.com (Nippon Communications Foundation) · "Wabi," "Sabi," "Yugen": The Surprising Changes in "Traditional" Japanese Aesthetics ↩
  20. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  21. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  22. Oxford English Dictionary · Words from the land of the rising sun ↩
  23. Cambridge Dictionary · kintsugi ↩
  24. Japan National Tourism Organization · The Art of Imperfection: Kintsugi Pottery, Wabi-Sabi and Sustainability ↩
  25. Ministry of the Environment of Japan · Japan Environment Quarterly vol. 30 ↩

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